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Femme mélodieuseCollagraphy and drypoint, 20 x 25 cm, 10 x 8 in, 2021 Inspired by the legend of Mélusine, the work ... -
Module d’extension de Sainte Colette (Plug in)Oil on wooden panel, 61 x 91 cm (24 x 36 in), 2022, photo credit: Nathalie Toulouse Saint Col... -
Advienne que pourra.The work presents a surreal and fantastic subject. It depicts a humanoid figure with pale skin and t...
Approach
My pictorial space often houses hybridizations: human/animal, organic/geometric, familiar/unusual. I explore using different mediums: painting, prints, textiles, digital art and installation. My approach combines contemporary art and traditional arts to form a body of intimate works that examines what constitutes the essence of humans, their identity, their place in the living world. Having practiced medicine for 15 years, my interest in the richness and complexity of the human experience continues naturally in my artistic work; I try to amalgamate my different experiences to deliver a point of view that is specific to me. I seek to understand the relationships between the body, psychology and society by studying the influences of culture, scientific discoveries, history and politics on our perception of human nature. Who are we ? What is our relationship to the Other?
The themes that drive me are those that call into question the existence of a heritage specific to human beings. Thus, symbols, beliefs, literature, myths, dreams and tales nourish my research and my reflection. Drawing from live models remains my favorite trigger. I keep all the drawings that I make during these sessions and I use them in my works because it is important for me to honor these “pieces of self” that the models generously gave.
Biography
Originally from St-Nicéphore, Isabelle Roby lives in Rouyn-Noranda. Holder of a certificate in visual arts and artistic production and a second cycle microprogram in contemporary artistic practices at the University of Quebec in Abitibi-Témiscamingue. She has received recognition, including being a finalist for the Albert-Dumouchel Prize for emerging artists in printed arts in 2021 and being selected for the Prisma Art Prize in Rome. His work was notably exhibited internationally during the 11th International Engraving Biennial in Portugal. We were also able to see his work, among others, at the Val d’Or Exhibition Center, the Amos Exhibition Center, the Galerie du Rift (Ville-Marie, QC), and the Maison des Arts ( Drummondville), at the MA Museum of Art (Rouyn-Noranda).
His works can be found at the Bank and National Archives of Quebec and in several private collections.
CV
Formation
- 2021 en cours- Certificat multidisciplinaire-Création et nouveaux médias, UQAT, Rouyn-Noranda, QC, Canada
- 2023 Microprogramme de 2e cycle en pratiques artistiques contemporaines, UQAT, Rouyn-Noranda, QC, Canada
- 2021 Certificat en production artistique, UQAT, Rouyn-Noranda, QC, Canada
- 2019 Certificat en arts plastiques, UQAT, Rouyn-Noranda, QC, Canada
- 2005 Microprogramme de 2e cycle en art-thérapie, UQAT, Rouyn-Noranda, QC, Canada
- 1991 Doctorat en médecine, Université de Sherbrooke, Sherbrooke, QC, Canada
- Perfectionnement
- 2019 Formation en estampe, Centre de la Gravure et de l’image imprimée, La Louvière, Belgique
- 2019 Formation en lithographie sur plaques de polyester, Atelier Les Mille Feuilles, par Joanne Poitras.
- 2017 Compagnonnage en linogravure, lithographie sur plaque de polyester, et collagraphie , Atelier Mille Feuilles, Rouyn- Noranda, Louis Brien.
- 2017 Formation en lithographie sur plaque de polyester par Joanne Poitras. Atelier les Mille Feuilles. Rouyn-Noranda, QC.
- 2016 Ateliers de coaching en peinture avec Martine Savard, Musée d’ Art Rouyn- Noranda, QC.
- 2016 Ateliers de dessin-Modèles vivants avec Martine Savard, Musée d’Art, Rouyn-Noranda, QC
- 2016 Écrire de la fiction. Formation donnée, avec Michèle Plomer, Rouyn-Noranda, QC.
- 2004-2006 Cours de peinture à l’huile avec Diane Auger, Rouyn-Noranda, Qc.
- 2005 Semaine intensive de formation en encaustique avec Julie Desmarais, École des Beaux-Arts Rosa Bonheur, Palmarolle, QC.
Exposition solo
- 2021 Pièces détachées. Galerie d’art contemporain Céline J. Dallaire, Rouyn-Noranda, QC, Canada.
- 2021 23h59. Atelier les Mille Feuilles centre d’art imprimé, Rouyn-Noranda, QC, Canada.
- 2018 Groupe au diapason, Centre diocésain de formation, Rouyn-Noranda, QC
Expositions collectives
- 2023 Espac.es témoins. L’Écart, lieu d’art actuel, Rouyn-Noranda, QC, Canada
- 2023 11e INTERNATIONAL PRINTMAKING BIENNIAL. Douro, Portugal. Sur invitation
- 2022 Petits formats. Maison & Jardins Antoine Lacombe, QC, Canada
- 2022 À la rencontre de trois visions. Galerie Au 123, Rouyn-Noranda, QC, Canada
- 2021 Le noir de l’encre. Centre d’exposition d’Amos, QC. Canada.
- 2021 Première impression, Finaliste pour le Prix Albert-Dumouchel pour la relève 2021. Arprim, centre d’essai en art imprimé, Montréal, QC, Canada
- 2021 Prisma Art Prize. Italie. Jury.
- 2020 Mémoires et médiations, Galerie du Rift, Ville-Marie, QC, commissaire : Martin Beauregard
- 2020 Matrices d’elle-même II, Centre d’art Rotary, La Sarre, QC.
- 2019 Mille Constellation, Centre d’exposition d’Amos, QC.
- 2019 Matrices d’elles-mêmes, Commissaire : Yolaine Lefebvre, Centre d’exposition d’Amos, QC.
- 2019 De la lumière, tout près, MA, Musée d’Art de Rouyn-Noranda, QC.
- 2018 Matrices d’elles-mêmes, Commissaire : Yolaine Lefebvre, Centre d’exposition de Val d’Or, QC
- 2018 Les ateliers créatifs s’exposent, MA, Musée d’Art de Rouyn-Noranda, QC.
- 2018 Modèles vivants en stéréoscopie. Duo. Galerie La Fontaine des Arts. Rouyn- Noranda, QC.
- 2016 Exposition des étudiants en coaching en peinture, Musée d’Art, Rouyn-Noranda, QC.
Événements
- 2023 12E Internationale d’art miniature. Centre d’exposition Louise-Carrier, Lévis, QC, Canada. Jury
- 2021 11E Internationale d’art miniature. Centre d’exposition Louise-Carrier, Lévis, QC, Canada. Jury.
- 2018 Biennale internationale d’art miniature, Ville-Marie, QC.
Encan et expo-ventes
- 2019 Parle-moi d’amour, Exposition-bénéfice, Maison des arts, Drummondville, Qc.
- 2018 100$ du pied carré. Exposition-bénéfice de L’Écart, lieu d’art actuel, Rouyn-Noranda, QC.
- 2017 100$ du pied carré. Exposition-bénéfice de L’Écart, lieu d’art actuel, Rouyn-Noranda, QC.
Conférences/tables-rondes/rencontres avec le public
- 2018 Conférencière invitée dans le cadre d’un cours d’initiation à l’art- thérapie, UQAT, Rouyn-Noranda, QC.
Memberships
- Membre du Conseil de la Culture de l’Abitibi-Témiscamingue
- Membre de l’Écart, lieu d’art actuel, Rouyn-Noranda, QC.
- Membre du Musée d’Art, Rouyn-Noranda, QC.
Work
All categories
Digital collage
Painting
Exhibition
Embroidery, paper, textile
Living Drawing
Printed Art
Sur quel pied danser …
Lithograph on Yupo paper, 28 x 43 cm, 2019
“Which foot should we dance on?” is a monochromatic representation of a human figure. The figure stands stooped, head bowed and arms raised to cover the face. She is dressed in a white sweater, black shorts and black knee-high boots. Interestingly, his left foot transforms into roots, symbolizing a deep connection with the earth. Behind his head, an area of densely chaotic lines forms the texture of foliage, evoking a surge of energy or emotion. This piece conveys a feeling of loneliness by capturing a moment of inner turmoil and reflection.
Série Mélusine
This series is inspired by a medieval myth which deals with the quest for humanity, mystery, trust, the monstrous part of oneself that one wishes to hide.
I put my inks, my matrices and my needle at the service of this legend, in order to represent the hybridity of Mélusine woman and fairy, human and animal, lover and mother.
Le pied de Saint-Antoine
Oil painting on wood panel, 91 x 61 cm (36 x 24 in), 2022
“Pied de St-Antoine” presents a unique blend between the past and the future through the representation of Saint-Antoine the great.
The traditional formal symbols of the saint are fused with robotic elements, thus illustrating the human propensity to self-transform and push its limits.
This innovative artistic composition explores the place of the figure of the saint in contemporary art while questioning the notions of the sacred and transhumanism.
A profound reflection on the issues of our current society, “Pied de St-Antoine” invites the viewer to meditate on questions of justice, inequalities and human dignity through an aesthetic merging tradition and modernity.
Boxeur amélioré
Linocut and lithography. Arches 88 paper. 2020. 56 x 36 cm. photo credit @Violaine Lafortune.
This piece depicts a crouching human figure. Stylized with black and white lines, the composition creates an intricate pattern that defines the shape of the body. This alternation of white and black segments injects a feeling of movement and fluidity into the whole. The entire work combines geometric precision and organic elements, creating harmony between mechanical artificiality and human organicity. This fusion symbolizes the exploration of transhumanism, with the addition of robotic parts with the aim of improving humans – here represented by a robot hand made in lithography integrated into a boxer man engraved in linocut.
Mille constellations
Astrology can be seen as a way of explaining the world, of giving meaning, of trying to gain control over one’s life.
This series is a pretext to feature characters grappling with the iconographic characteristics of each of the twelve signs of the zodiac.
The mixture of contemporary postures and traditional astrological symbolism creates an atmosphere that is both strange and familiar.
Artist’s book. Linocut and chine collage prints. Handmade box
Exhibition:
Mille constellations. Centre d’exposition d’Amos, QC. Canada. 06/2016
Le radeau dés/abusé(es)
The raft of the abused is a three-dimensional installation that symbolizes the imminent deterioration of the health care system and the distress of health care professionals.
Made up of metal blocks reminiscent of individuals, held together by tubing and red solutes, this work denounces the difficult working conditions and the stress faced by
caregivers. The sail patched with bandages evokes the imminence of a storm, while white shapes deployed on the ground reinforce the disturbing atmosphere of the installation.
Illuminated by colorful lighting, this immersive work invites the viewer to reflect on the themes of transformation and disarray in the field of health.
Metal Cylinders, Linoleum, Medical Equipment, Black Light, Visual and Sound Projection
Crédit photo: Christian Leduc
Exhibition:
De la lumière, tout près. MA, Musée d’Art, Rouyn-Noranda, QC, Canada. 2019
Sylphide
Lithograph on Arches 88 paper, 18 x 14.5 cm, 2019
Sylphide represents a figure curled up in a fetal position. Defined by dark, shadowed lines that accentuate the contours of the body, the silhouette exudes a sense of introspection and tranquility. Surrounding the figure are abstract splashes of ink, introducing a dynamic and somewhat chaotic element to the composition. This juxtaposition between the serene pose and energetic markings creates a contrast that enriches the composition with expressive depth. Rendered through the lithography process, Sylphide embodies a blend of tranquility and dynamism.
Pisces
linocut with chine-collé, 11.5 x 11.5 cm
Arches 88 paper
Une amazone est née
Indian ink drawing mounted on panel with encaustic and metal wire, 30.5 x 30.5 cm, 2018
photo credit: Cesar Vianna
Amazons, warriors from Greek mythology, symbolize the strength and resilience of women in their fight against illness.
Vibrant red symbolizes courage and determination, while angular shapes and dynamic lines represent strength and struggle.
The use of black and white adds a dimension of contrast, symbolizing the duality of pain and hope in the battle against illness.
This work tells the themes of pain, courage, and transformation.
In summary, “An Amazon is Born” evokes the intense emotions and heroic courage of women in the face of adversity, while paying tribute to their strength and resilience in the fight against breast cancer.
L’introspection
Fabriano paper, 56 x 76 cm, 2019. Private collection
The work depicts a minimalist, monochromatic rendering of a nude figure.
The sketch embodies an expressive style that captures the natural curves and depths of the human form in an expressive style that celebrates simplicity.
The creation of this piece was inspired by live model sessions and executed with a mixture of Indian ink, tale and charcoal.
Ma parure est intérieure
Private collection. Acrylic on canvas. 76 x 61 cm. 2018
photo credit: Cesar Vianna
A woman dressed in a bright red top, with a serene and contemplative face, is shown in profile to the left of the image. Her hair is carefully styled in an elaborate bun wrapped in blue and yellow fabric, giving her an almost regal look. To the right, a majestic peacock spreads its plumage, revealing iridescent feathers in hues of blue and green with the characteristic “eyes” on the feathers. The whole gives off an impression of quiet beauty and natural elegance.
Inspired by Greek mythology, the work illustrates a legend paying homage to two main characters: Hera and Argos. According to this legend, Hera, jealous of Io, a nymph courted by Zeus, entrusted the care of the nymph to Argos, a giant with a hundred eyes. To celebrate her loyalty, Hera decides to place the eyes of Argos in the line of her favorite bird, the peacock, symbol of light and immortality. This caption adds an additional dimension to the work, inviting a poetic interpretation of the scene presented.
La reine au nuage
Ink on Sommerset paper, 56 x 76 cm, 2018
The Queen and the Cloud is a striking abstract and minimalist painting that captures the nude human form with elegant simplicity. Atop the head rests a bright red crown, drawing attention to the otherwise faceless figure, whose features are abstracted into a mesh-like pattern. This intricate design introduces a surreal, dreamlike quality to the artwork. Above the figure, a stroke of washed black ink resembles a cloud, gently releasing flakes that appear to cascade, heightening the atmosphere ethereal of the scene. This evocative piece exudes both mystery and serenity, inviting viewers to explore its nuances and layered meanings.
C’est personne qui m’a fait ça (dit le Cyclope)
Indian ink drawing mounted on panel with encaustic and embroidery thread, 20.3 x 25.4 cm, 2018
photo credit: Cesar Vianna
Enter a world of mystery and intrigue with this captivating work of art. A humanoid figure, rendered in shades of gray and blue, sits serenely on jagged rocks, its face hidden except bloody. The background, a textured sea of yellow, adds depth and dimension to the scene, creating an enigmatic and otherworldly atmosphere. This painting, created using the ancient technique of encaustic, exudes raw emotion and expressive energy, drawing the viewer in with its bold, gestural strokes.
This work is inspired by timeless tales from Greek mythology. Odysseus ventures into the cave of the Cyclops Polyphemus, who devours two of his companions at each meal. To escape, Odysseus cleverly tricks the Cyclops by getting him drunk and convincing him that his name is “Nobody”. He then blinds Cyclops by plunging a flaming stake into his one eye, leaving him permanently blind. When the other Cyclops come to his aid and ask him who hurt him, the Cyclops can only shout “No one!”, leading them to abandon him to his fate. This piece encapsulates themes of trickery, survival, and the consequences of deception.
La Sainte et la Bête
Oil on canvas, 91 x 76 cm (36 x 30 in), 2023 This painting explores the harmony between calm and anger, illustrating that it is our ability to find balance between the two that leads to true inner peace. The image of a serene woman alongside a ferocious bear strongly reminds us that it is what is within us that really matters.
Fée secrète
Collagraphy and drypoint, 30 x 40 cm, 12 x 16 in, 2021
“Secret Fairy” is inspired by the legend of Mélusine, a woman cursed to transform into a snake from the waist down every Saturday. The work wanted to capture the essence of duality by combining realistic and abstract elements to depict a fragmented human figure, reinforcing the feeling of mystery and legend. The head, detailed and textured, contrasts with the green abstract shapes below, suggesting incomplete or disassembled body parts, evoking Melusine’s tragic transformation. The piece is a print made from two distinct matrices: a collagraph which represents the human side and a plexiglass engraving which signifies the serpentine and mythical aspect. The combination of these techniques allowed me to capture the dichotomy of Melusine’s nature – both human and supernatural – in a visual way.
Si Épiméthée n’avait pas eu de frère …
Ink drawing mounted on panel with encaustic and embroidery thread and metallic, 22.8 x 30.5 cm, 2018
photo credit: Cesar Vianna
This encaustic work, titled “If Epimetheus Had Not Had a Brother,” is inspired by the Greek myth of Epimetheus and Prometheus. Charged by the gods with distributing physical qualities and gifts among living beings during the creation of the world, Epimetheus forgot to properly provide for the needs of humans, leaving them naked and defenseless. In an effort to correct his brother’s mistake, Prometheus stole the secrets of fire and the arts from Hephaestus and Athena. If Epimetheus had taken care of humans, we might have looked like this… Thank you, Prometheus.
Les bas tigrés.
Indian ink on Arches 88 paper.
56 x 78 cm.
2020
“The Stockings of Tigers” is a captivating work that features a nude figure lying face down on the ground, head turned to the side and resting on the forearms. The legs are elegantly bent at the knees, showing feet adorned with tiger-patterned stockings. The use of shadows and dark outlines accentuates the musculature and natural curves of the body, while maintaining a delicacy through the combined use of pencil and ink. The minimalist background focuses attention on the silhouette, creating a composition that celebrates both stillness and quiet power. The work instills a sense of calm and reflection, a tribute to the quiet elegance of the human body.
L’ange enchaîné
Acrylic on canvas. 91.5 x 76 cm. 2017
“The Chained Angel” is a painting depicting a surreal scene taking place in a restaurant. The color palette, with its striking contrast of bright whites and deep reds, draws the eye to the seven intriguing characters depicted in the composition. From a group engaged in conversation over a meal to a character caught in a moment of introspection or vanity, each character tells a unique story that invites interpretation. The stylized depiction of the characters adds a layer of mystery and intrigue to the artwork. Inspired by a dream, this painting offers a glimpse into a world where an angel is held captive among strange and enigmatic figures.
Piégée dans l’anxiété
Embroidery on paper. 46 x 30 cm / 18 x 12 in. 2024
This piece is a personal exploration of emotions and struggles, depicted through a stylized female figure entangled in a web-like structure.
The work features a dynamic pose, with the figure extending its arm and leaning back, its expression a mixture of contemplation and distress. Her flowing hair adds movement to the scene, while her outfit of a gold top and patterned blue skirt, adorned with a dark blue belt, adds a touch of elegance to the composition.
Essence de sérénité
Ink on Papier Fabriano, 56 x 76 cm, 2019
Essence of Serenity is a minimalist, monochrome ink drawing of a nude female figure in a seated pose. The work features fluid and expressive lines, emphasizing the silhouette through different shades of gray and black. The character is depicted with evocative simplicity, omitting facial details to create an abstract and emotive representation. Created with ink, conté and charcoal, this work invites you to immerse yourself in its serene and contemplative aura.
Tombée au fond
Multiple plate linocut.
2021
31 x 41 cm (12 x 16 in)
“Falling to the Bottom” is an expressive semi-abstract piece that captures the dynamic essence of movement. The work centralizes a figure seated on a cushion representing the sea, decorated with swirling patterns and small fish. The figure, dressed in a red top, yellow shorts and black boots, exudes energy with legs raised and bent at the knees, one leg tangled in a rope pulling upward. The character’s head is represented by scribbled lines. The background is alive with expressive, energetic strokes and splashes of black and other colors, contributing to the vibrant and dramatic feel of the piece. The inspiration for this piece comes from a fascination with the fluidity of movement and the interaction of colors and shapes. It is the capture of a moment that is both spontaneous and meticulously crafted, a snapshot of energy frozen in time.
The unique creation process involved multiple linocut plates to meticulously bring out seven distinct colors.
La femme Pan
Indian ink drawing mounted on panel with encaustic and metal wire, 28 x 36 cm, 2018
photo credit: Cesar Vianna
This abstract painting features bold curved shapes primarily in red, with black and yellow accents and outlines.
The use of black not only highlights the shape of the female body, but also adds depth and contrast, while the yellow segments provide a striking contrast.
Textured brushstrokes in gray and green create a background reminiscent of foliage, suggesting an outdoor setting.
The overall impression is one of movement and vitality, invoking a sense of fluidity within the abstract forms.
In Greek mythology, Pan is the God of fertility, flocks and shepherds, but he is most famous for his bestial and insatiable sexual appetite.
This painting presents a female version of this God.
Soulier de bal en 2000
Lithography. 1/4 draw. 20 x 28 cm. Yupo paper. 2020
“Prom Shoe 2000” effectively merges the worlds of fashion and art, focusing on the shape and structure of the shoe in imaginative ways. It transforms a common object into a statement piece that is both visually captivating and fashion-forward. The composition challenges traditional notions of shoe design, celebrating creativity and reimagining the shoe as a work of art. The overall impression is one of boldness and innovation, showcasing an extraordinary vision that pushes the boundaries of conventional design.
This piece is inspired by the timeless tradition of prom, a formative milestone symbolizing the transition to adulthood. The inspiration behind this work comes from the timeless tale of Cinderella, specifically the moment she loses her shoe at midnight. By illustrating a prom shoe from different eras dating back to the 1500s, I wanted to highlight the enduring nature of the prom, a true rite of passage marking the transition to adulthood.
Le marié
Collagraphy, 7.5 x 10 cm, 2018
“The Groom” is a captivating miniature work of art, measuring just 4 x 3 inches. This unique creation features a male mermaid, a figure that challenges traditional mermaid imagery with its distinctiveness. The figure is depicted in movement, with his mermaid tail elegantly tucked beneath him, suggesting fluidity and grace. Intriguingly, he raises both arms above his head, evoking the sensation of dynamic swimming movements. Adding a fantastical touch, it is clad in majestic moose antlers, unexpectedly blending the aquatic and the terrestrial. Created using the meticulous process of collagraphy, this miniature work invites viewers into a world where myth and nature intersect harmoniously.
Terre intérieure
Inspired by the piece “Inhabiting the Lands”, this work embodies the concept of inhabiting one’s interior. It explores the duality of human nature and the constant cycle of life, inviting viewers to reflect on their own journey through their inner world.
What sets “Inland Land” apart is its unique design and construction. The circular structure, mounted on a base which allows it to rotate 360 degrees, creates a sensation of movement and fluidity. The figures on white paper move along copper wires, adding a dynamic element to the piece.
Collagraphy matrix mounted on a rotating base, linocut matrix at the periphery, lithography matrices on a polyester plate moving on copper wire, plush used for printing. The spectator is invited to turn the work and see moving the characters on the back of the bear.
Crédits photos: Dany Chouinard
Exhibitions:
Matrices …d’elles-mêmes. Centre d’exposition d’Amos, QC, Canada. Commissaire : Yolaine Lefebvre. 2019
La chute d’Icare
Private collection, Indian ink drawing mounted on panel with embroidery thread, 41 x 51 cm, 2018
photo credit: Cesar Vianna
“The Fall of Icarus” is an abstract expressionist painting that captures a moving figure against a contrasting black background. The silhouette, rendered by textured lines of yellow, green and hints of red, gives off a sense of dynamic energy. The composition is enhanced by detailed wings next to the figure, creating a visually captivating contrast. This work of art is inspired by the tragic myth of Icarus, whose desire to fly too close to the sun ultimately led to his downfall. Using an encaustic medium adds a unique depth and complexity to the piece, adding emotion.
Arachnée
Hand and machine embroidery on Artistico paper. 71 x 51 cm / 28 x 20 in. 12-2023
“Arachnea” is a complex and captivating work of art that skillfully blends traditional techniques and contemporary themes.
This piece features stylized figures and textural contrasts, with a central spider surrounded by a network of gold lines that form geometric spider web patterns.
Small rectangular metal pieces inscribed with words such as “PHOTOS,” “BLOG” and “BRANDING” add an intriguing textual dimension to the work.
The work explores themes of connectivity, media and perhaps the digital realm, while evoking questions about personal identity and self-perception in the modern era.
With its play on textures and its bold composition, “Arachnée” invites the viewer to reflect on the complex role that elements of communication play in our daily lives.
Leo
linocut with chine-collé
Arches 88 paper
Prudence et mystère
Collagraphy and drypoint, 20 x 25 cm, 8 x 10 in, 2021
“Prudence and Mystery” has its roots in the haunting legend of Melusine, a thematically rich tale of humanity, mystery, and the parts of ourselves that we strive to keep hidden. Mélusine, cursed by her mother, transforms herself into a snake every Saturday from the waist down. She falls in love with Raymondin, who marries her on one condition: he must never see her that cursed day. They enjoy a prosperous union, blessed with ten sons, each bearing a strange mark. However, curiosity ultimately leads Raymondin to break his vow, discovering Melusine in her partial snake form. Exposed, Mélusine transforms into a dragon, flying over Lusignan Castle before disappearing forever.
This legend nourished my inspiration and pushed me to explore the dual nature of Mélusine: woman and fairy, human and animal, lover and mother. I used my inks and matrices to capture this hybridity, illustrating the mix of human and botanical elements that evoke its history. it is an invitation to reflect on the complexities of human duality and transformation
Hommage à P-o-lin(a)e
Embroidery on linocut. 38 x 29 cm / 15 x 12 in. 2024
Private collection.
The work features a lino print of a female figure wearing a dress composed of intertwined French and Russian text fragments.
The eyes, representing identity, are a focal point. The intricate background details and embroidered petals reflect the softened colors of the French and Russian flags.
Through the use of linocut, text collage and embroidery, the work brings to life a poignant and expressive representation of identity and cultural duality,
inspired by the novel “Hold Your Tongue” by Polina Panassenko .
La mauvaise fortune (de Midas)
Private collection, lithograph mounted on panel with encaustic and gold thread, 30.5 x 30.5 cm, 2018
photo credit: Cesar Vianna
“The Bad Fortune of Midas” depicts a reclining figure smoking a golden cigarette, his head resting on a golden pillow as well. The lower part of the work features a golden area filled with numerous vertical golden elements, symbolizing the drops of gold coming from the character’s bed. Created in encaustic on a large canvas, the painting captures the emotional use of color and form in an expressive and dynamic composition.
This play explores the consequences of the pursuit of wealth and material possessions, inspired by the legendary tale of King Midas and reminds us that true wealth lies in human relationships, experiences and moments shared with loved ones.
Nu lumineux
BFK Rives paper, 76 x 56 cm, 2018
“Luminous Nude” is an example of minimalist, abstract representation, capturing the appeal of the human form in sensual repose. The work is defined by light, flowing lines that trace the contours of the nude figure with delicate precision. Soft washes of color in tones of gray and beige imbue the silhouette with subtle shadows and depth, creating a harmonious balance between simplicity and detail. The background is deliberately refined, letting the elegance of the subject resonate with purity and refinement. This minimalist yet expressive style focuses on the essence of the human form, presenting it in an understated yet evocative manner that invites quiet contemplation. Inspired by the shimmering allure of gold linens and unapologetic posing, results in a work of art that captures the intimate vulnerability of its subject.
Gynoïde à la licorne
“Gynoid with the Unicorn” is a patchwork, a tribute to the medieval know-how of the famous “Lady with the Unicorn”, series of 6 tapestries. This work presents various narrative scenes on a bright red background, evoking the structure of a comic book page. Each section of the room represents one of the tapestries from the historical series.
The artwork combines fabric elements with metal parts made from aluminum foil. The inclusion of foil figures symbolizes gynoids, artificial beings depicted in female forms, introducing contemporary thinking on transhumanism, on the evolving relationship between humanity and technology, exploring themes of the creation, identity and future of machines in the image of humans.
A distinctive element of this piece is its interaction with black light; under such lighting, hidden details emerge, invisible under ordinary light, adding a unique and fascinating layer of discovery for the viewer.
La serpente
Collagraphy and drypoint, 40 x340 cm, 16 x 12 in, 2021
This piece features a surreal hybrid figure blending human, natural and animal elements. On the left side, there is a monochrome, textured human head with a primitive vibe, transforming into a fish-like body adorned with scales and intricate patterns. The right side extends into large leaf-shaped wings with delicate veined textures created by fine lines. This composition fantastically invites you to explore the boundary between the human and natural world. Inspired by the legend of Mélusine, this work represents her duality as woman and fairy, human and animal, lover and mother. My use of inks and dies brings her story to life, showcasing her complex transformation.
Tombée de la lune
Private collection, Indian ink drawing mounted on panel with encaustic, 30.5 x 30.5 cm, 2018
This abstract painting features a figure in a reclining pose with elongated limbs, rendered in earthy, muted tones with hints of blue, brown and white. The moon appears above the figurine in vibrant yellows and oranges, against a textured olive green background. Created using the medium of encaustic, this piece explores themes of the fall of a lunar world and existential contemplation.
Mélancolie pensive
Somerset paper, 56 x 76 cm, 2018
This minimalist, monochromatic piece of a female figure is rendered in tones of gray and black, using broad, flowing brushstrokes. The figure stands in profile, facing left, with his head slightly tilted and his hands covering his face in a gesture that suggests contemplation or sorrow. She is shown wearing simple clothing and high boots. The simplicity and freedom of the brushwork gives the work an expressive and emotive quality, drawing attention to the posture and general mood of the character. The background is left blank to focus only on the character and their gesture. This artwork was inspired by a live model and uniquely created in ink.
Sortie du néant
Lithograph on Arches 88 paper, 25 x 37 cm, 2019
“Out of Nothingness” captures a balance between simplicity and nuanced detail, embodying both vulnerability and regal poise. The character’s face remains undefined, adding an element of mystery, while a crown at the top hints at a feeling of royalty or otherworldliness. In stark contrast, the lower half of the work transforms into a darker area filled with scattered dots, alluding to the presence of earth or shadow. The character’s legs blend seamlessly into this deeper area, symbolizing a connection between the ethereal and the tangible. The hearts that frame the work add a touch of tenderness, contrasting with the mysterious and introspective aura of the central character. This piece is a reflection on existence, purity and the delicate interaction between light and shadow.
Le savoir est une couronne sur la tête
Acrylic on embroidered paper mounted on wooden panel and collage. 30 x 30 cm (12 x 12 in). 2019. Private collection.
This piece features a stylized figure with an intricate helmet, emphasizing the idea of knowledge as a symbol of power and wisdom. The use of limited colors and collage techniques give it a modern and eclectic aesthetic. The abstraction in defining facial details emphasizes the abstract nature of knowledge, as the title suggests.
Fée des glaciers
Digital collage mounted on wooden panel. 30 x 30 cm (12 x 12 in) 2022. Private collection
Fée des Gaciers is a surreal scene which transports the viewer into a mystical world where elements of fantasy and reality intertwine. The backdrop features a stormy sky laden with dark, ominous clouds and a prominent full moon casting an ethereal glow. In the foreground, a pile of eggs balances precariously on an icy structure emerging from the still waters. To the left, a fairy, curled up in a fetal position on another piece of ice, adds a touch of fantasy and mystery.
Aquarius
linocut with chine-collé
Arches 88 paper
Hermès et sa coupable passion pour la mode
Private collection, Indian ink drawing mounted on panel with encaustic and thread, 20.3 x 25.4 cm, 2018
photo credit: Cesar Vianna
“Hermès and his guilty passion for fashion”, is inspired by the play on words between Hermès, the messenger of Greek mythology, and Hermès, the famous fashion brand. This piece combines elements of mythology with the world of fashion, creating a unique and intriguing composition. The fusion of mythology and fashion is represented by a red scarf, symbolizing fashion, and a foot decorated with wings on the heel, which illustrates Hermes, the messenger of Greek mythology. The use of the encaustic medium adds depth and texture to the work, bringing the character of Hermes to life.
Taurus
linocut with chine-collé
Arches 88 paper
Soulier de bal en 1500
Lithography. 1/4 print. 20 x 28 cm. Yupo paper. 2020
“Ball Shoe in 1500,” is a highly detailed black and white illustration that captures the intricate design of a historic shoe. The work focuses on a shoe with an extraordinary upward curve that almost forms a hooked point at its end. The surface of the shoe features rich textures and shades, giving it a worn and aged look,
This piece is inspired by the timeless tradition of prom, a formative milestone symbolizing the transition to adulthood. The inspiration behind this work comes from the timeless tale of Cinderella, specifically the moment she loses her shoe at midnight. By illustrating a prom shoe from different eras dating back to the 1500s, I wanted to highlight the enduring nature of prom, a true rite of passage marking the transition to adulthood.
Démether ou “Je t’attendrai ma fille!”
Private collection, Indian ink drawing mounted on panel with encaustic and thread, 22.8 x 30.5 cm, 2018
photo credit: Cesar Vianna
The work “I will wait for you, my daughter” is a poignant representation taken from Greek mythology, featuring a female figure with hands outstretched in a gesture of despair. The yellow shapes contrast with the dark outlines, creating a captivating and dynamic visual effect. Inspired by the myth of Demeter and Persephone, this encaustic painting embodies the cycle of the seasons and the intense emotions linked to separation and waiting. A work that is at once abstract, colorful and textured thanks to the medium of encaustic.
Soulier de bal en 1900
Lithography. 20 x 28 cm. Yupo paper. 2020
“Ball Shoe in 1900” is a monochrome illustration that captures the timeless beauty of a high-heeled shoe from the Belle Époque. The shoe is finely crafted with a sophisticated and clean appearance, featuring a pointed toe and slim stiletto heel. The overall style of the illustration is marked by its minimalist and clean approach, which places a strong emphasis on the shape and structure of the shoe.
This piece is inspired by the timeless tradition of prom, a formative milestone symbolizing the transition to adulthood. The inspiration behind this work comes from the timeless tale of Cinderella, specifically the moment she loses her shoe at midnight. By illustrating a prom shoe from different eras dating back to the 1500s, I wanted to highlight the enduring nature of the prom, a true rite of passage marking the transition to adulthood.
Ensembles pour l’éternité
Digital collage printed on artist quality paper. 18 x 18 cm (7 x 7 in) 2021
At the center of the work is a humanoid figure tenderly holding a creature with a body resembling that of a sloth, but adorned with humanoid arms and an exposed brain, finely attached to a metal skeletal structure in place of a typical animal head. The humanoid’s stylized face, with its striking shadows and highlights, gives it a slightly robotic appearance, adding to the otherworldly aesthetic. Inspired by thoughts on transhumanism and childhood, this piece posits that future children will also seek the companionship of animals, albeit in a form as yet unimaginable.
La grâce aux cheveux dorés
Somerset paper, 56 x 76 cm, 2018
The character’s head is adorned with a striking, abstract yellow shape that hints at an elaborate hairstyle or headband, immediately attracting attention. The simplicity of the body, highlighted by soft strokes and subtle shades of gray, adds depth and dimension to the form. Delicate red lines around the neck make an accessory or piece of clothing stand out, adding a touch of elegance to the composition. The overall style is relaxed and understated, focusing on capturing the essence of the subject rather than intricate details. The inspiration for this piece was taken from a live model, bringing a feeling of authenticity and spontaneity to the work.
Naissance d’une fée.
Ink, pastel and thread collage on BFK Rives paper.
56 x 76 cm.
2018
This minimalist, abstract piece captures the delicate moment of a fairy’s birth through a human figure surrounded by vibrant blues, rich reds. The abstract, golden wing-like shapes introduce a layer of complexity and ethereal beauty. “Birth of a Fairy” evokes a feeling of emergence, enchantment and transformation.
Tarzan 3.0
Collagraphy and linocut. Arches Paper 88. 2020. 56 x 36 cm. photo credit @Violaine Lafortune.
This piece is a monochrome sketch of a human figure in a reflective pose. The right arm is raised with the hand resting on the head, and the left arm extends downward, ending in a claw-like structure. The figure’s face is replaced by a screen displaying a heart rate monitor tracing, adding a surreal touch. The body is detailed with muscular contours, emphasizing strength, and the entire work has a rough, textured quality that intensifies the image.
Inspired by the concept of transhumanism, this piece explores the complex dualities between humans and machines. The character’s clothing evokes the legendary Tarzan, hence his title. “3.0” signifies the latest iteration of a human-robot fusion, highlighting the evolving nature of these hybrids.
The creative process uniquely mixes techniques; the human elements are made by collagraphy, while the mechanical parts are made by linocut, symbolizing the fusion of organic and technological craftsmanship.
Nu à la chaise bleue.
Ink on Arches 88 paper.
78 x 56 cm.
2020
This piece is a contemplative exploration of form and subtlety, expressed through a minimalist but intentional sketch of a nude female figure. This sketch presents a nude female figure, seated gracefully, with one arm resting on a blue chair and the other hand clutching a yellow sheet. The abstract, featureless face draws attention to the shapes and posture of the body. This piece is intended to communicate a sense of calm and introspection through a work of art that feels both unfinished and complete
Résille et draps bleus.
Sketch of living model. Ink and charcoal on Arches 88 paper.
56 x 78 cm.
2018
This expressive sketch captures a kneeling nude figure in monochrome tones, accented by flowing dark lines and soft gray washes to suggest shadows and volume. Adorned with a fishnet headdress, the figure leans forward on a stool draped in bright blue fabric. This piece captures an expressive and expansive style, emphasizing posture and figure shape rather than anatomical precision. The overall composition evokes a feeling of intimate contemplation and delicate balance.
Robe d’émeraude
Collagraphy and drypoint, 40 x 50 cm, 16 x 20 in, 2021
This piece is created using collagraphy and drypoint techniques. It is a monochromatic and surreal composition mixing abstract shapes with organic and human elements. A detailed, disembodied head contrasts against a white background, while two delicate, lined leaves emerge from a dark, amorphous base resembling a crouching figure.
“Emerald Robe” is part of my “Melusine” series, which is inspired by a medieval myth that resonates for me with themes of humanity, mystery, trust and the monstrous parts of ourselves that we often try to hide.
Défi ou jeu?
Défi ou jeu ?, 2020
Techniques: woodblock, linogravure and chine-collé
Paper: BFK Rives
Print: 3
Size: Image: 30 x 23 cm. Paper: 51 x 41 cm
Mat à l’étouffée
Patchwork 240 x 260 cm (94 x 102 in). Multimedia.
Mat à l’etouffée manifests itself in the form of a patchwork, intertwining the structured elements of a chessboard with an element of chaos, suggesting a game whose squares have been randomly shuffled.
Each panel of the quilt alternates between black and white backgrounds, featuring fantastical creatures and anthropomorphic beings, hybrid creations equally shared between humans and axolotls. These figures are rendered in a folk art style, adorned with intricate patterns and textures in shades of white, orange and black, lending a distinctive and cohesive look to the piece.
Surrounding this grid of fantastical creatures are smaller illustrations inspired by medieval iconography. These additional images are connected by a DNA-shaped ribbon pattern, made from children’s notes from different countries. Together, these elements present a pointed critique of unchecked capitalism, depicting impudent characters competing within the monetary DNA motif.
The evocative mix of shapes and symbols in “Mat à l’etouffée” draws attention to the plight of beings created by humans solely for exploitation. These characters, trapped and unable to move like pawns on a crowded chessboard, constitute a powerful metaphor for the victims of capitalist systems. The use of patchwork, a traditionally feminine and practical craft, reinvented as high art adds an extra layer of complexity, emphasizing the transformation of everyday techniques into profound artistic expressions.
Animatronic
Drypoint engraving and linocut. Arches paper 88. 36 x 56 cm. 2020. photo credit @Violaine Lafortune
The piece features a stylized humanoid figure with a robotic head marked by sharp, menacing teeth. The elongated, hairy body, resembling an animal, wears a scarf around its neck. His feet are equipped with casters, and his visible left hand is made of mechanical parts. This blend of organic and synthetic forms creates a thought-provoking visual narrative. The pointy-toothed head symbolizes the fear often associated with such futuristic endeavors.
Inspired by the exploration of transhumanism, the work delves into the complex emotions and anxieties associated with the merging of man and machine.
The perfect woman
Resin casting, 30 cm, 2018
Défi ou jeu ?
Challenge or game?, 2020
Techniques: woodblock, linocut and chine-collé
BFK Rives
Draw of 3
Dimensions: image: 30 x 23 cm. Paper: 51 x 41 cm
This piece captures a dynamic scene where a woman with intricate hair playfully interacts with a bear. Does she want to play or challenge him? The human figure appears to be leaping forward, holding a red object that resembles a ball or perhaps a sun, while the bear stands on its hind legs in a curious and alert posture. This work was inspired by the fascinating interaction between man and nature. The unique aspect of creating this piece was the meticulous linocut process which, layered on top of a first woodblock print, had to be meticulously carved and printed, so that the interplay of lines and colors effectively conveyed energy and desired story. “Challenge or game?” allowed me to explore texture and movement in a new way.
Réflexions épineuses
Charcoal drawing enhanced with silver flakes and embroidery on paper. 18 x 12 in / 46 x 30 cm. 2024
“Réflexions épineuses” is a charcoal drawing enhanced with silver leaf and embroidery.
The piece depicts a bearded man with a contemplative expression, eyes slightly lowered.
He has prominent eyebrows and a thick beard that has been carefully detailed to show off his texture.
A crown of thorns rests on his head. The man’s right hand is raised to his chest, fingers gently brushing his beard.
The limited color palette of earth tones and shades of gray gives the figure a dark appearance.
The background is textured with a reflective metallic quality, contrasting with the matte finish of the figure’s shadowed outlines.
The work has a raw and emotional resonance, emphasizing the pensive mood of the character.
Cancer
linocut and chine-collé
Aries
linocut with chine-collé
Arches 88 paper
Titanesque vigilance
Acrylic on canvas. 91.5 x 91.5 cm, 2018
crédit photo: Cesar Vianna
“Titanesque Vigilance” is a painting inspired by Greek mythology.
The piece features a reclining female figure, her back turned to the viewer, exuding an emotion oscillating between tranquility and an undercurrent of anticipatory tension.
This work comes from the episode in Greek mythology where the titans are chained to the underworld by Zeus and speaks to the themes of power, struggle and patience.
Pénélope
Assembly and embroidery by hand and machine on Artistico paper. 71 x 51 cm. 12-2023
Immerse yourself in the mythological universe of Penelope, an emblematic figure of patience and cunning in Greek mythology.
This mixed media work subtly combines textiles and embroidery to create a figurative composition rich in detail.
An elegant woman with distinctive features is at the center of the image, dressed in ornate Victorian dresses.
Beside it, an abstract element evokes a loom, with an embroidered silhouette of a weaving hand, symbolizing both traditional craftsmanship and contemporary feminist themes.
The skillful use of different fabrics and sewing techniques gives this piece a tactile dimension, inviting the viewer to delve into a story rich in interpretations.
A unique alliance of traditional methods of feminine creation and current reflections on the place of women in modern society.
A work that will captivate the imagination and awaken everyone’s curiosity.
Goulecore
Digital collage, 2023
In this dystopian world, a Minotaur (industry) feeds on human flesh (workers and citizens) and takes its quota of lives annually. The Minotaur’s labyrinth symbolizes lethal environmental pollution from which it is impossible to escape, toxic fumes surrounding us on all sides. The clones are crushed, poisoned, reified by the power in place which is represented by a ghoul, a terrible, enormous, and merciless force. Through this work, I aim to reflect on environmental issues in Rouyn-Noranda and on the worrying impact of for-profit industries on our planet.
Goulecore challenges us to question the values of a society where technology and capitalism intersect, prompting us to think about the consequences of our actions.
Le rêve de la femme-cactus
Acrylic on canvas, 61 x 91.5 cm (36 x 24 in), 2017.
This vibrant expressionist painting was inspired by a dream and captures a figure with exaggerated, stylized features.
The central figure exudes energy and movement, with a dynamic pose and bright colors that demand attention.
The fusion of whimsical elements and textured backgrounds creates a sense of fantasy and wonder in this piece.
I hope this work inspires you to embrace your creativity and pursue your dreams!
Être ou ne pas être en culotte rouge.
Gouache and ink on BFK Rives paper.
76 x 56 cm.
2020
This piece was inspired by a live model shoot, capturing a raw and intimate moment with unique details like the bright red shorts which provide a compelling contrast and focal point. The painting features a free, expressive style, with visible brushstrokes and dynamic blue strokes surrounding the figure, adding a somewhat abstract touch. The simple light beige background fully focuses attention on the subject. There is something deeply raw and real about capturing a moment lived and felt in the presence of a model.
Déesse de la lune
Private collection, Indian ink drawing mounted on panel with encaustic, 30.5 x 30.5 cm, 2018
The moon is a symbol of beauty and the divine in many cultures. This encaustic work of art wanted to capture the essence of the moon as the focal point and the woman as the goddess of this celestial realm. Deep blues, gold accents and vibrant red boots create a sense of wonder and contemplation.
Les dangers de la canicule
Acrylic on paper mounted on wooden panel, 30.5 x 46 cm, 2018
On a hot summer day, one of those days that make us see blurry, a shape advances towards our character: danger or hallucination due to the sun?
The woman, unconscious, is overwhelmed by the stifling heat. The bright colors, large brushstrokes, combined with the impasto, give the painting movement and life.
The theme of the character’s ignorance in the face of danger is tragically universal and gives the work great resonance.
L’oeil de Sainte Lucie
This landscape of the island of Saint Lucia is steeped in symbolism, with elements such as a palm tree, a dagger in the throat, a tray containing eyes, and a pair of oxen representing Saint Lucia.
The artist explored the relationship of the individual with contemporary society by integrating transhumanist elements, thus transforming the figure of the saint.
At the crossroads of sacred art and technology, this work invites reflection on current social issues.
The use of collage and juxtaposition creates a complex and captivating composition, where past and future collide.
Introspection
Lithograph on Yupo paper, 28 x 43 cm, 2019
This piece depicts the back view of a seated female figure, knees bent and body leaning slightly forward. The character’s hair is styled in a bun atop her head, complementing the serene, introspective pose. The design highlights the contours and musculature of the woman’s back and limbs through simple lines, with shading and textured patterns. Introspection captures a moment of quiet reflection, with a powerful focus on the natural beauty and strength of the human body, inspired by the discipline of life drawing.
Odalisque au turban bleu.
Sketch made during a live model session.
Ink on Arches 88 paper, 56 x 78 cm.
2020
The artwork is a minimalist and expressive painting depicting a person lying on their side. The character is depicted in a simplified, almost abstract manner, using broad strokes of black, gray and blue. The person is wearing a black swimsuit and a blue swim cap, accented with a black ribbon. The artist used a combination of watercolor-like washes and bold lines to suggest the form and posture of the subject. The background is left blank, focusing the viewer’s attention only on the figure. The overall composition is relaxed and conveys a feeling of leisure and subtle movement.
Rousse aux draps bleus.
Ink on Arches 88 paper.
56 x 78 cm.
2018
This piece depicts a reclining silhouette rendered in muted tones of gray and brown. The silhouette, defined by expressive brushstrokes, is suggested by the shadows and contours of the body, creating an evocative and emotional presence. One of its most striking attributes is the head, adorned with swirling masses of red and brown, indicating red hair. The elongated and slightly abstract body is enhanced with black lines highlighting the shape of a blue sheet.
The minimalist background, largely left blank, ensures that attention remains focused on the central subject. The overall style is loose and expressive, emphasizing the fluidity of the ink, resulting in a blend of simplicity and depth.
La mariée
Collagraphy, 7.5 x 10 cm, 2018
This female figure, whose ethereal presence is shrouded in a bridal veil, is revealed to be a mermaid, the lower part of her body seamlessly transforming into a tail. Through a blend of abstraction and figuration, this work blends fantasy and mythology, delivering a striking and evocative image that resonates with a sense of wonder.
Troublante assistance
Acrylic on paper mounted on wooden panel. 41 x 30.5 cm (12 x 18 in). 2018
photo credit: Cesar Vianna
This work represents a large green character underwater. Expressive brushstrokes capture the fluidity and movement of water.
The use of shades of green and blue creates a dynamic and immersive experience, emphasizing the play of light and the rippling qualities of the water.
The swim cap adds a touch of darkness, alluding to the depth and shadow beneath the water’s surface.
I imagined that the little character whose legs we only see is safe thanks to the water creature who secretly assists him.
23:59
Dive into the thought-provoking installation, “23h59,” a captivating blend of traditional and contemporary art. This artwork showcases a staircase adorned with printed paper depicting images of wounded feet on a wooden floor. A luxurious burgundy fabric elegantly drapes around the structure, creating a theatrical presentation that hints at a significant event or ritual. High-heeled shoes and small video monitors add elements of human presence and technology, inviting contemplation. Inspired by the timeless tale of Cinderella and the societal pressures faced by women, this artwork seamlessly weaves together art, storytelling, medical imagery, sewing, and digital art. Assembly sewn in patchwork of mokulithography prints on Mulberry paper deposited on red velvet steps, 8 ” x 10 ” screen hosting a 1-minute animation of a series of ball shoes lithography through eras, shoes. Height: 240 cm x Width: 213 cm, 2020. Photo credit: Émilie B. Côté.
Exhibitions:
Première impression. Finaliste pour le Prix Albert-Dumouchel pour la relève 2021. Arprim, centre d’essai en art imprimé, Montréal, QC, Canada. 2021
23h59. Atelier les Mille Feuilles centre d’art imprimé, Rouyn-Noranda, QC, Canada. 2021
Mémoires et médiations. Galerie du Rift, Ville-Marie, QC, Canada. Commissaire : Martin Beauregard. 2020
Soulier de bal en 1700
Lithography. Edition 1/6. 20 x 28 cm. Yupo paper. 2020
“Ball Shoe in 1700” features an intricate floral and scroll design covering the entire upper portion. The heel is wide and textured, providing a solid base. The design includes a strap across the instep, adding a stylish touch to the overall composition. The style is reminiscent of vintage or antique shoes, combining both functionality and ornamental design.
This piece is inspired by the tradition of prom, a formative milestone symbolizing the transition to adulthood. The inspiration behind this work comes from the timeless tale of Cinderella, specifically the moment she loses her shoe at midnight. By illustrating a ball shoe from different eras dating back to the 1500s, I wanted to highlight the enduring nature of the ball, a true rite of passage marking the transition to adulthood.
Sagittarius
linocut with chine-collé
Arches 88 paper
Pensées gelées
Embroidery on paper. 46 x 30 cm / 18 x 12 in. 2024
“Pensées Gelées” is a striking and thought-provoking piece that captivates the viewer with its intricate details and emotive symbolism.
The depiction of frayed, root-like boots conveys a sense of fear and paralyzing stillness,
while the contrast of black and white with intense blue snowflake patterns evokes a sense of winter loneliness.
The character’s introspective posture invites contemplation on the struggles of individuality and the confrontation of fears.
Je n’accoucherai plus par là…
Indian ink drawing mounted on wooden panel with encaustic, 28 x 36 cm, 2018. Private collection.
photo credit: Cesar Vianna
This painting depicts an abstract depiction of a human figure, primarily in tones of beige, gray and golden yellow with contrasting red and black accents.
The inspiration behind this work comes from the myth of Zeus giving birth to Athena through the head, represented by the head with red and black features which symbolizes her fatigue and pain; hence her decision to no longer give birth there.
In fact, his next delivery will be through the thigh! The content of the piece is emphasized by expressive brushwork.
A unique aspect of creating this artwork was working with live modeling and using encaustic to bring texture to the piece.
The result is a modernist, emotionally charged performance that pushes the boundaries of traditional representation.
À vos marques, prêt, partez !
Acrylic on paper mounted on wooden panel, 61×91.5 cm, 2017
photo credit: Cesar Vianna
Coming from life drawing sessions, this work represents a transfer from the observation of real life to an abstract and expressionist interpretation. Earthy colors – browns, blacks and whites – create a subtly rich and warm tonal atmosphere that resonates with humanist themes. The use of broad, expressive brushstrokes conveys a sense of raw emotion and momentum, providing a heightened sense of life and vitality to the introspective figure. Body language induces introspection or fatigue, which becomes the emotional center of gravity of the artwork. The lines are executed so vividly that they appear to be in motion, almost as if the viewer is entering the painting at the precise moment of contemplation of the subject.
Virgo
linucut with chine-collé
Arches 88 paper
Mes automates
My approach for this project: Cyborgs, genetic manipulation, implants, augmented reality, cloning are knocking on our door. The myth of Hephaestus, blacksmith god,
and his automatons becomes current. The automaton is an artificial being created to carry out a specific task. He has a resistance that approaches immortality.
The automaton frees humanity from the need to work and can prove beneficial. But its superior design makes possible the withering of humans and the disappearance of humanity.
Could computing, artificial intelligence and robotics be the descendants of Hephaestus?
Can knowledge transform inanimate matter into an intelligent instrument without threatening the human world?
The black of the ink leads me to deepen these dualities: man-machine, blessing-curse, liberation-enslavement.
Prints bringing together different techniques and different black inks on white paper will demonstrate my attempts to give shape and life to a creation.
The substrate, instead of metal, will be paper. Ink will be the means of arranging the concepts together and merging them.
Set of 6 prints, each made up of two different engraving techniques.
Tarzan 3.0 Collagraphy and linocut. Arches paper 88. 56 x 36 cm. 2020
Animatronic Pointe sèche and linocut. Arches paper 88. 56 x 36 cm. 2020
Neurobricolée Lithography and collagraphy. Arches paper 88. 56 x 36 cm. 2020
Boxeur amélioré Linocut and lithography. Arches paper 88. 56 x 36 cm. 2020
Travailleuse du clic Lithography and pointe sèche. Arches paper 88. 56 x 36 cm. 2020
CENDR-1-0N Collagraphy and pointe sèche. Arches paper 88. 56 x 36 cm. 2020
Collectives exhibitions:
Le noir de l’encre. Centre d’exposition d’Amos, QC. Canada. 09/2021
Le noir de l’encre. MA, Musée d’art Rouyn-Noranda, QC, Rouyn-Noranda. Canada. 01/2021
La Dame de la fontaine
Collagraphy and drypoint, 40 x 50 cm, 16 x 26 in, 2021
The figure, reminiscent of both a human and an insect, evokes the image of a mystical fairy or mythical being. With a monochrome palette accented with subtle greens, the piece attempts to capture a delicate, ethereal quality. The inspiration behind this piece is a tribute to the enigmatic tale of Melusine and a celebration of the eternal dance between the seen and the unseen, the human and the mythical.
Module d’extension de Sainte Colette (Plug in)
Oil on wooden panel, 61 x 91 cm (24 x 36 in), 2022, photo credit: Nathalie Toulouse
Saint Colette Expansion is a captivating painting that blends the attributes of Saint Colette – the well, the chickens and the eggs – with the concept of transhumanism.
The title alludes to transhumanism: the extension module (or plug-in) is the egg that realizes the reproductive desire of the transhuman couple.
The work invites viewers to explore the relationship between humans and animals in a unique and thought-provoking way, blending elements of urban architecture into the background.
It gives rise to multiple interpretations on the mixture of the ordinary and the fantastic in the context of transhumanism.
Neurobricolée
Collagaphy and lithogaphy. Arches paper 88. 56 x 36 cm. 2020. crédit photo @Violaine Lafortune
Rendered in a monochromatic palette of varying shades of gray and black, this piece features a textured, sketch-like aesthetic.
The body is composed of metal rods and cables, creating a juxtaposition of materials that accentuates the duality within the piece, questioning whether the subject is a human with a robot torso or a robot with human parts.
The processes behind “Neurobricolée” combine the precision of lithography for metal sections with the tactile quality of collagraphy for human parts. This artistic fusion results in a singular representation exploring the blessings and curses of technological progress.
Couler dans le bleu.
Indian ink on Arches 88 paper
56 x 78 cm.
2020
This exquisite painting features a reclining figure adorned in black underwear, depicted with a minimalist approach that emphasizes the elegance of simplicity. “Sinking into the Blue” is not only a visual piece but a sensory experience. It is an invitation to immerse oneself in serene calm and reflective silence, echoing the intimate moments one spends with one’s thoughts amidst the embrace of the color blue.
Nu aux draps de bronze.
Ink on Arches 88 paper
56 x 78 cm.
2020
“Nude in Bronze Cloth” is an abstract and interpretive version of the human form, with minimal fine detail to invite interpretation from the viewer. The composition uses light washes of gray and beige tones to represent the body, with accents of black and subtle hints of brown to add depth and contour. The idea of bronze drapery, to which the title alludes, played a unique role in the creative process by highlighting the contrast between the cold, metallic texture of bronze and warm, soft human flesh.
Les passeuses
Encaustic on panel, 30.5 x 30.5 cm, 2017
“The Passers” is a textured artwork featuring three ethereal faces framed by embossed golden hair. Intricate details and three-dimensional elements transport you to a universe where beauty and spirituality meet. Turtle shells symbolize rebirth and protection, and invite you on a journey of renewal and spiritual growth.
The calming palette of whites, beiges and golds evokes an atmosphere of peace and wonder and explores rich spiritual symbolism.
Soulier de bal en 1800
Lithography. 20 x 28 cm. Yupo paper. 2020
“Ball Shoe in 1800” is a black and white illustration of a vintage high heel shoe. The shoe features a prominent bow at the back near the top of the heel and intricate floral designs decorating the front and sides. The details are rendered with a combination of solid black areas and detailed shading, giving the shoe a textured and ornate look. The style suggests a blend of classic elegance and artistic details, creating a visually interesting piece.
This piece is inspired by the tradition of prom, a formative milestone symbolizing the transition to adulthood. The inspiration behind this work comes from the timeless tale of Cinderella, specifically the moment she loses her shoe at midnight. By illustrating a ball shoe from different eras dating back to the 1500s, I wanted to highlight the lasting nature of the ball, a true rite of passage marking the transition to adulthood.
Collage culturel
Mixed media: embroidery, printmaking, beading, digital. 97 x 74 cm / 38 x 29 in. 2024
“Cultural collage”, a unique creation that mixes the techniques of paper, embroidery, engraving and sewing.
Measuring 95 x 74 cm, this piece features a collage of torn sewing pattern paper, a human body with bear paws for hands and feet,
and a digitally printed face merging the artist’s features with those of ‘art. ‘one of ours.
Delicate beads, Japanese paper underwear and embroidered tights add intricate details to this composition.
A blue, white and red bracelet completes the work. Inspired by the novel “Hold Your Tongue” by Polina Panassenke,
discover the fusion of art and storytelling in this one-of-a-kind work.
Âme ciblée
Embroidery on paper. 46 x 30 cm / 18 x 12 in. 2024
This colorful work of art depicts a bald individual with piercing eyes, defined eyebrows, and a prominent nose and lips painted bright red.
The subject is adorned with geometric patterns and target-shaped symbols on the left side of his head,
creating a striking contrast with the muted tones of his skin and striped tank top.
“Âme ciblée” is an exploration of vulnerability and strength, capturing the essence of feeling exposed and yet resolved.
The intricate details and vibrant colors of this piece evoke a sense of depth and emotion, making it a truly unique and fascinating addition to any art collection.
Mes fileuses
My project, My Spinners, consists of works embroidered mainly by hand, but also by machine, on 28 x 20 in. Fabriano paper.
Each represents a female character from Greek mythology related to the theme of the thread: Ariadne, Penelope and Arachne.
Ariane stands alone at the entrance to a digital labyrinth and keeps Thésée at the end of her social networks.
Arachne is condemned to survive by constantly spinning to attract prey into her web.
Likewise, you can spend most of your life on the web, trapped in having to constantly create new content to attract likes.
Penelope, with her cunning and patience, builds on her loom the framework on which the binary code will emerge, a prelude to the computer world which will overwhelm society.
These three women used the thread to take an active part in their destiny.
They refused to confine themselves to the space of witness that society expects of them; with different results: one is rewarded with abandonment,
the other is punished by being transformed into a spider, and the last is victorious because her scheme lasted long enough for Odysseus to return home.
Exposure:
Espac.es témoins. L’Écart, contemporary art venue, Rouyn-Noranda, QC, Canada. 2023
Sacrifice consented
Clay bas relief, 76 cm x 56 cm, 2018
Au cœur du jardin
Hand and machine embroidery on paper. 15 x 11 in / 38 x 29 cm. 2023
The blend of masculinity and femininity sparks engaging discussions about gender roles and emotional vulnerability.
Using a mix of lively patterns and Japanese papers, I created a visually stimulating piece with a muted color palette and sporadic gold accents for a touch of elegance.
Intricate embroidery adds a tactile quality, inviting viewers to explore the details up close.
Scorpio
linocut with chine-collé
Arches 88 paper
Ariane
Hand and machine embroidery on Artistico paper. 71 x 51 cm / 28 x 20 or. 12-2023
Ariane stands alone at the entrance to a digital labyrinth and keeps Thésée at the end of her social networks.
This piece explores the intersection of Greek mythology and contemporary themes, featuring a stylized figure standing confidently in a fragmented digital world.
The contrast between textures and use of symbolic elements invites viewers to think about identity, transition and connection in today’s society.
Soulier de bal en 1600
Lithography. Edition 1/6. 20 x 28 cm. Yupo paper. 2020
“Ball Shoe in 1600” features intricate textured details, such as a pattern on the toe and a textured stripe near the opening. The overall style of the shoe suggests a mix of historical and fantasy elements, making it both unique and visually appealing.
This piece is inspired by the tradition of the prom, a formative milestone symbolizing the transition to adulthood. The inspiration behind this work comes from the timeless tale of Cinderella, specifically the moment she loses her shoe at midnight. By illustrating a prom shoe from different eras dating back to the 1500s, I wanted to highlight the enduring nature of the prom, a true rite of passage marking the transition to adulthood.
CENDR-1-0N
Collagraphy and drypoint engraving. Arches 88 paper. 2020. 56 x 36 cm. crédit photo @Violaine Lafortune
The figure projects an abstract and somewhat robotic aura, accentuated by mechanical details and varied line weights to achieve different depths. Black ink on a white background provides a dramatic and compelling contrast, enhancing the visual impact of the artwork.
Inspired by themes of transhumanism, this piece explores the dualities of human-machine integration, exploring the fine line between benefit and curse, and liberation versus slavery. The name CENDR-1-0N cleverly references Cinderella, alluding to the figure’s role as a working entity. The title’s playful touch, similar to software nomenclature, adds an extra layer of meaning, merging fairy tale history with modern technological themes.
Capricorn
linocut with chine-collé, 11.5 x 11.5 cm,
Arches88
Libra
Linocut with chine-collé
Arches 88 paper
Entre chien et louve
Digital collage mounted on wood panel. 30 x 30 cm (12 x 12 in) 2022.
This surreal digital composition features a bronze statue with exaggerated limbs, crouching on mushrooms and expressing deep anguish. As a backdrop, a dramatic cloudy sky and full moon illuminate a mountainous landscape with a majestic wolfdog perched on a peak. This piece evokes a dreamlike scene. Inspired by the phenomenon of a woman transforming into a wolf under a full moon, the work uses these symbolic elements to explore themes of change and the interaction between human and animal nature.
Advienne que pourra.
The work presents a surreal and fantastic subject. It depicts a humanoid figure with pale skin and two large ram-shaped horns protruding from its head.
The character has a white face with distinct, exaggerated makeup including dark eyebrows, large circular blush marks on the cheeks, and red lipstick. Her hair is not visible.
The figure wears a sleeveless green top adorned with round gold details that could be interpreted as buttons or studs, and dark olive green bottoms.
Her posture is dynamic, with one arm extended outward and her curvaceous body twisted into a position suggestive of movement or dance.
The background is composed of deep blue space dotted with stars, giving the impression that the character is floating or swimming in the cosmos.
Against the celestial background, several spherical shapes are depicted in colors like brown, gold and green with hints of orange, and these could be interpreted as planets or stars.
A larger, intricately detailed sphere at the bottom right of the painting could depict a planet or celestial body with swirling patterns of green, brown and orange, surrounded by a white glow.
The overall composition and surreal nature of the subject suggest a dreamlike and supernatural scene.
Nuances d’intimité
Fabriano paper, 56 x 76 cm (29 x 22 in), 2018
Created with ink, charcoal and conté, this piece relies on soft grays and blacks to highlight the contours and shadows of the body. The character’s introspective pose and simple elegance exude a sense of simplicity and depth. Inspired by sessions with live models, this work embodies a subtle exploration of human intimacy, revealing an impression of lightness and serenity.
Gemini
linocut with chine-collé, 11.5 x 11.5 cm
Arches 88 paper
Mélusine
Collagraphy, engraving on plexis and ink enhancement. 54 x 71 cm (21 x 28 in). 2021
Inspired by the haunting and beautiful legend of Mélusine, a woman cursed to transform into a serpent from the waist down every Saturday, the work explores themes of hidden identities, love and transformation. The painful yet thought-provoking story of Melusine, her eternal spirit encased in the form of a serpent, invites viewers to reflect on the complexity of human nature and the mysteries of the world in which we live. Melusine’s upper body is depicted in a monochromatic sketch style, exuding a sense of detailed realism. Sitting gracefully, her human form is delicate. As our eyes move downward, the transformation takes place. The lower half of its body transforms into a vibrant fishtail adorned with earthy hues of brown and yellow, leading to a green fin. This composition reflects the dual nature of Mélusine, both woman and fairy, human and animal, lover and mother. Through this work, I sought to capture not just a story, but the essence of transformation and the haunting beauty of mythical legacies.
Amis pour toujours
Digital collage printed on artist quality paper. 18 x 18 cm (7 x 7 in) 2021
“Friends Forever” is a digital collage that explores the concept of transhumanism and its implications for future generations. This surreal piece features a central humanoid figure – half boy, half machine – with a stylized face resembling a golden statue and a sweater-clad torso. His lower body transforms into complex robotic components. In his arms, he cradles a sloth whose brain and neck are mechanized, contrasting sharply with its organic, fur-covered body. The background is a solid teal hue, subtly textured with soft lights, emphasizing the eerie fusion of organic and mechanical elements. This thought-provoking work of art reflects a world where even children’s pets extend into the realm of the artificial.
La Phoenix
Acrylic on paper mounted on wooden panel. 36 x 46 cm, 2018
photo credit: Cesar Vianna
This piece depicts a nude figure with prominent horns and a powerful presence. The character symbolizes the mythical phoenix bird, known for its ability to be reborn from its own ashes. The artwork embodies the theme of renewal and transformation, with the strong and resilient figure embodying the idea of rising from the ashes. The transition between cool and warm tones creates a dynamic contrast. The overall aesthetic embodies an expressionist style that emphasizes emotional intensity and symbolic content.
Pièces détachées
Several different fields (pharmacology, transhumanism, ecology, robotics, etc.) attempt to understand the technological future and its impact on the human body.
Creating chimeras represents for me a way of bringing together all these visions in order to think about the future society and the risks of ethical slippage,
such as the commercialization of biological material. Human Chimeras brings together a set of creations/creatures reproducing a possible future store of organic parts
sold at retail. The use of sewing pattern paper highlights the way in which these beings could be made from a matrix diagram allowing a biological replacement part to be
reproduced in as many quantities as necessary. The mirror allows the viewer to find themselves involved in it. It also symbolizes the soul that could find itself
in this trap of extreme exploitation of a life form. Black light reading makes it possible to detect wounds and suffering that are not visible in daylight.
Paper and fabric are made of fibers and are reminiscent of muscle fiber. They are suitable for gluing and sewing. They can serve as a screen to receive information,
they can be engraved or embroidered. All this can also be said about humans. Digital art and black light symbolize nervous impulses, the electricity that animates living
beings.
This work explores identity through a different body. I seek to see if there is a threshold that separates humanity on one side and non-humanity on the other
through a transdisciplinary approach combining my scientific, artistic and humanist experience.
Exhibition:
Detached pieces. Céline J. Dallaire Contemporary Art Gallery, Rouyn-Noranda, QC, Canada. 2021
Femme mélodieuse
Collagraphy and drypoint, 20 x 25 cm, 10 x 8 in, 2021
Inspired by the legend of Mélusine, the work navigates the two realms of the human and the mythical. On the right, a textured monochrome head brings abstract depth to the human appearance, while the left features an elongated, segmented form with varying textures and patterns that evoke organic shapes and possibly stylized birds. It is a print made from two distinct matrices: a collagraph representing the human side and a plexiglass engraving symbolizing the serpentine and mythical aspect. The monochrome palette, accented with subtle greens, aims to evoke a delicate, ethereal quality.
La pensive aux draps bleus.
Ink and charcoal on Arches 88 paper.
78 x 56 cm.
2018
The seated figure appears clad in a transparent mesh-like material that gently envelops the hair, adding unique texture and depth to the composition. Inspired by the tranquil pose of a nude woman with a blue drape around her hips, this piece captures an intimate moment of stillness and reflection, inviting the viewer to pause and reflect alongside the depicted figure.
News
Première impression
The finalists of the 2021 Albert-Dumouchel Prize for the next generation
Pièces détachées
The chimera is a fabulous animal from Greek mythology. Chimeras are beings bringing together cells from two different origins. How did we get from one to the other? "Pièces détachées" takes a look at the morality of certain genetic manipulations and questions the risks of ethical slippages, such as the commercialization of biological material.
LE NOIR DE L’ENCRE
My automatons. Man-machine, benefit-curse, liberation-enslavement: the black ink leads to deepen these dualities. Prints combining techniques and black inks on white paper bear witness to my attempts to give shape and life to a possible future.