• Prelude
    Papier BFK Rives, 76 x 56 cm, 2018
  • To sink into oblivion
    Lithography, 38 x 28 cm, 2017 crédit photo: Cesar Vianna
  • The crawl of the siren
    Acrylic on canvas, 101.5 x 76 cm, 2016


In my practice, I explore the heritage of the human in that it is different from that of the animal or the artificial intelligence. Different themes feed my creation including dream, mythology, symbol. My exploration is done through different media (painting, sculpture, collage, printmaking, textile, embroidery, installation), but always based on the living model. The sketches made during the live model drawing sessions are directly supporting and inspiring and transforming my work. I thus divert the usual codes of the sketch of the living model (sobriety, monochrome, details) to illustrate with many colors and media the richness of the human experience.


Born in St-Nicéphore, she lives and works in Rouyn-Noranda. Holder of a certificate in visual arts and artistic production, she is pursuing a graduate micro-program in contemporary artistic practices at the University of Quebec in Abitibi-Témiscamingue. She was selected by Arprim as a finalist for the Albert-Dumouchel Prize for emerging artists in printed arts in 2021, by the Galerie Gallea to appear in the “Artistes du Québec” collection and internationally in 2021 she was selected by Prisma Art Prize (Rome). We have been able to see his work, among others, at the Center d’Exposition de Val d’Or, the Center d’exposition d’Amos, the Galerie du Rift (Ville-Marie, QC), the Maison des Arts (Drummondville ), at the MA Museum of Art (Rouyn-Noranda). Her art work is also found at the Banque et Archives national du Québec and in  several private collections.


Education and Training

  • 2021-in progress Microprogramme en pratiques artistiques contemporaine, UQAT, Rouyn-Noranda, QC, Canada.
  • 2021 Certificate in artistic production, UQAT, Rouyn-Noranda, PQ.
  • 2019 Certificate in fine arts, UQAT, Rouyn-Noranda, PQ.
  • 2005 Microprogram, second cycle in art-therapy, UQAT, Rouyn-Noranda, PQ.
  • 1991 Medical Doctorate, Graduate dipoloma in Family Medecine, Sherbrooke University, Sherbrooke, PQ.

Further training/courses

  • 2019 Training printed art, Centre de la Gravure et de l’image imprimée, La Louvière, Belgium
  • 2019Training in lithography on polyster plaques, Atelier Les Mille Feuilles, by Joanne Poitras, 30 hrs of training and 30 hrs of supervised workshops.
  • 2017 Accompanyment in linoengraving, lithography on polyster plaques, and collagraphy , Atelier Mille Feuilles, Rouyn-Noranda, with Louis Brien and Brigitte Gagnon.
  • 2017 Training in lithography on polyester plaques by Joanne Poitras. Atelier les Mille Feuilles. Rouyn-Noranda, PQ.
  • 2016-in progress Coaching workshops in painting with Martine Savard, Musée d’Art Rouyn- Noranda, PQ.
  • 2016-in progress Drawing workshops – live models with Martine Savard, Musée d’Art, Rouyn-Noranda, PQ
  • 2016 Writing fiction. Training given through the CCAT, with Michèle Plomer, Rouyn-Noranda, PQ.
  • 2004-2006 Oil painting course with Diane Auger, Rouyn-Noranda, PQ.
  • 2005 Intensive week of encaustic training with Julie Desmarais, École des Beaux-Arts Rosa Bonheur, Palmarolle, PQ.

Solo exhibition

  • 2021 Pièces détachées. Galerie d’art contemporain Céline J. Dallaire, Rouyn-Noranda, QC, Canada.
  • 2021 23h59. Atelier les Mille Feuilles centre d’art imprimé, Rouyn-Noranda, QC, Canada
  • 2018 Groupe au diapason, Diocesan Training Centre, Rouyn-Noranda, PQ

Collective exhibitions

  • 2021 Le noir de l’encre. Centre d’exposition d’Amos, QC. Canada.
  • 2021 Première impression. Finaliste pour le Prix Albert-Dumouchel pour la relève 2021. Arprim, centre d’essai en art imprimé, Montréal, QC, Canada
  • 2020 Mémoires et médiations, Galerie du Rift, Ville-Marie, QC, Commissioner : Martin Beauregard
  • 2020-01 Matrices d’elles-mêmes II, Centre d’Art Rotary, La Sarre, PQ.
  • 2019-06 Mille Constellation, Centre d’exposition of Amos, PQ.
  • 2019-06 Matrices d’elles-mêmes, Commissioner : Yolaine Lefebvre, Centre d’exposition of Amos, PQ.
  • 2019-05 De la lumière, tout près, MA, Musée d’Art of Rouyn-Noranda, PQ.
  • 2018 Matrices d’elles-mêmes, Commissioner : Yolaine Lefebvre, Centre d’exposition of Val d’Or, PQ
  • 2018 Les ateliers créatifs s’exposent, MA, Musée d’Art of Rouyn-Noranda, PQ.
  • 2018 Modèles vivants en stéréoscopie. Duo. Galerie La Fontaine des Arts. Rouyn- Noranda, PQ.
  • 2016 Exhibiton by students coached in painting, Musée d’Art, Rouyn-Noranda, PQ.


  • 2021 11E Internationale d’art miniature. Centre d’exposition Louise-Carrier, Lévis, QC, Canada. Jury.
  • 2018 Biennale internationale d’art miniature, Ville-Marie, PQ.

Auction and expo-sales

  • 2019 Parle-moi d’amour, Exhibition benefit, Maison des arts, Drummondville, PQ.
  • 2018 100$ du pied carré. Exhibition benefit of L’Écart, lieu d’art actuel, Rouyn-Noranda, PQ.
  • 2018 Décembre aux Mille Feuilles, Atelier les Mille Feuilles, Rouyn-Noranda, PQ.
  • 2017 100$ du pied carré. Exhibition benefit of L’Écart, lieu d’art actuel, Rouyn-Noranda, PQ.
  • 2017 Décembre aux Mille Feuilles, Atelier les Mille Feuilles, Rouyn- Noranda, PQ.
  • Conferences/round-table discussions/meetings with the public
  • 2018 Guest speaker at an introductory art therapy course, UQAT, Rouyn-Noranda, QC.


  • Member of Conseil de la Culture de l’Abitibi-Témiscamingue
  • Member of l’Écart, lieu d’art actuel, Rouyn-Noranda, PQ.
  • Member of Musée d’Art, Rouyn-Noranda, PQ.


All categories
Embroidery, paper, textile
Printed Art
A work consisting of a collagraph matrix assembly, linocut matrix, polyester plates and copper wires on a circular and mobile structure, the spectator is invited to rotate the work and the polyester plates move according to the wire axis. Diameter of 122 cm, 2018


Première impression

The finalists of the 2021 Albert-Dumouchel Prize for the next generation

Pièces détachées

The chimera is a fabulous animal from Greek mythology. Chimeras are beings bringing together cells from two different origins. How did we get from one to the other? "Pièces détachées" takes a look at the morality of certain genetic manipulations and questions the risks of ethical slippages, such as the commercialization of biological material.


My automatons. Man-machine, benefit-curse, liberation-enslavement: the black ink leads to deepen these dualities. Prints combining techniques and black inks on white paper bear witness to my attempts to give shape and life to a possible future.